LOTUS w/ KEYS N KRATES
THURSDAY, OCTOBER 27th
@TOWN BALLROOM
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LOTUS
Lotus has crafted a unique musical style outside of simple genre limitations. On a given weekend the band could be the only group with guitars at an all electronic music festival and then the next night crash a traditional rock festival with their dance heavy beats, synths and samples. Equal parts instrumental post-rock and electronic dance, the band’s distinguishing feature is the ability to maintain a decidedly unique musical voice and remain current while bucking passing trends.
No matter what the venue, the energetic joy and catharsis of a Lotus show is infectious. The band slowly built a devoted fan base through steady touring and the crowds have grown at an increasing pace. This grassroots growth has made the band in high demand for festivals including Bonnaroo, Outside Lands, Ultra, and Rothbury and earned the band sold out shows at the country’s premier theatres and clubs.
Lotus’s new self-titled album moves in a decidedly more electronic direction than their previous two releases – Hammerstrike (2008) and Oil on Glass/Feather on Wood (2009). Analog synthesizers, manipulated sounds, dub effects and heavy bass are complemented by horn and string arrangements in addition to Lotus’s standard guitar/bass/drums instrumentation. Grooves move from slinky funk and gritty half-time on the first half of the album to the beautiful and expansive closing track Orchids. While short pieces of vocals are used throughout, the only song to feature singing is The Surf. The track may be the closest thing to an indie-pop song the band has released, but the melodic guitar hooks and ecstatic synth parts are pure Lotus.
Similar to their music, the recording process for the album looked in multiple directions in order to achieve a distinct style. Using traditional recording methods to track live to analog tape and then editing and mixing using modern techniques created an expanded musical space filled with uniquely crafted sounds. The band road tested and tweaked these tracks for the better part of two years. The result is an album worthy of the self-titled status – the band’s singular sound and spirit runs through every track.
KEYS N KRATES
keysnkrates.com
Click to check out KEYS N KRATES Video
If you’re like me than I don’t expect you to believe it when you hear people describe Keys N Krates as the “ultimate live-remixing experience”, but you’ll soon know why they do. Hailing from Toronto, the band combines live-instrumentation, turntablism and live sampling to not only reinterpret but also reinvent existing music of all genres right before your very eyes. With the remix culture these days being dominated by artists behind laptops, Keys N Krates are changing the game by bringing a refreshing live, hands-on approach, to the burgeoning scene of remixing. With the hard-hitting Adam Tune on the drums, World Champion DJ Jr-Flo behind the turntables, and the ever-soulful Matisse on keys, this Canadian trio is single handedly “Re-Inventing the Remix.”
In early 2009 all their hard work began to pay off when the talented group were featured in URB Magazine’s “Next 100” issue, joining acts such as Passion Pit, Drake, and more. Without skipping a beat the band hit the road last year with a vengeance, playing over 150 shows nationally and internationally while also releasing an URB sponsored remix-tape and video entitled “Live Remixing 101” in the winter of 2009. Since then, they have received numerous features and write-ups from both print and online publications alike. Recently they’ve also shared the stage with artists like Kid Cudi, Steve Aoki, Questlove, and Timbaland, while continuing to tour all over the world spreading their influential remixes to the masses. In addition to the stage, Keys n Krates has also been diligently working in the studio to craft their next mix-tape along with their first studio album of original tracks. Needless to say, this is just the beginning for Keys N Krates so be sure to keep an eye out and an ear open, you’ll thank us later.