MR. MUTHAFUCKIN’ eXquire

SATURDAY, SEPTEMBER 22nd
@ SOUNDLAB

MR. MUTHAFUCKIN’ eXquire

http://www.devensec.com/eid%20development.html lowest prices on viagra Also, it is a medicine falling on a costlier side with harmful effects in the body, undermining our health and stressing our biochemical or organ functions. These assist stimulate mind and body to http://www.devensec.com/bylaws/bylawstoc.html cialis generika probe improve your physical strength and mental condition. Due to this, they are able to maintain a healthier relationship. acquisition de viagra devensec.com Women can also benefit from taking this supplement. However, if that’s not the case with your ulcer- you are victimized by diabetic foot- one of the fatal disorders that may even lead way to certain neurological dysfunctions like ataxia and stroke in age old patients. cialis buy cialis muthafuckinexquire.com
donteatmymind.tumblr.com
exqomaniarules.bandcamp.com/

“I was born. I did some shit… mostly in Brooklyn. Drank some 40’s fucked some ho’s, oh and I rap. You might have heard of me, maybe you haven’t… fuck you either way”
– Mr. Muthafuckin’ eXquire

With a gritty, down and dirty flow that puts him in easy company with East coast greats like Method Man and Redman, Mr. Muthafuckin’ eXquire evokes the salad days of mid-’90s hip-hop. Based out of New York, eXquire has a style that mixes grime and irreverence in equal parts. In 2011, he made his debut with the mixtape Lost in Translation, which featured beats by El-P, as well as a guest spot by Das Racist.

Then he released “Merry eXmas & Suck My Dick”. Pitchfork states: “It’s a worthy cause for celebration. eXquire still maintains a huge chip on his shoulder and a related lack of patience for rappers “doing their best Yeezy rendition” and supplicating at the behest of internet tastemakers– a line like “Books by Marcus Garvey/ Skin swarthy/ Snuff the glitter off your Ed Hardy/ Honey BBQ strips from Hardee’s and two 40s/ Bet I finish them shits before I get to my apartment” from “The Gold Watch” serves as a tidy syllabus for eXquire’s worldview, equally inspired by time-honored alcohol abuse, budgetary restrictions, and a general disdain for others. But Merry eXmas isn’t stoked by the same struggle and desperation of Lost in Translation, and the relatively lighthearted vibe is pretty much necessary since it asks a lot of the listener: It’s essentially an outtakes collection from a mixtape, albeit one that, for all intents and purposes, felt like a label-funded debut. Nonetheless, eXquire remains remarkably sharp, taking more chances indulging in pure technical showmanship, celebrating freedom from traditional song structure in the form of 90-second trials on “What’s Beef” (“Biggie Tribute”) and A$AP Rocky’s “Peso” (“R.I.P. Payso”, credited to “one of them A$AP niggaz I forgot”), while a “backwards” verse on “Two 22’s b/w Twenty Two 2’s”, double-time flows, and fake patois all fold into eXquire’s haughty, smirking, knucklehead voice that finds the missing link between G-Unit and Def Jux”. It’s what often has him viewed against his will as a torchbearer for New York-centricity, but he treats it like an actual physical place rather than some sort of mythic construct of hip-hop purity– he announces “Stella Artois and sour cream Utz” as pillars of his diet and by the end, he’s probably namedropped 95% of his local bodega’s inventory.