DAS RACIST
w/ special guests tba
SATURDAY, MARCH 5th
@ SOUNDLAB
DAS RACIST
Addressing these problems sildenafil 100mg tab greyandgrey.com through medical treatment, therapy and lifestyle changes are called for in overcoming erectile dysfunction related to any of these problems. Participation in digestion Magnesium viagra pfizer 100mg facilitates digestion by working as a coenzyme in the digestive tract. A person will certainly call for a Propecia prescription need also to inform him or her if they have any of the following pre-existing conditions: Liver disease or abnormal liver enzyme tests Prostate cancer Bladder muscle disorder Stricture of the urethra Restricted ability to urinate Side effects of Propecia on women, fetuses and young children The only clinical study of the European doctors, Karlovy Vary healing. levitra free sample Add some ginger garlic cheap viagra paste and one green chilli. With an origin that goes back to their time spent living in a “Students of Color for Social Justice”-themed dorm, Das Racist’s meeting seems like destiny. While MC’s Victor Vazquez and Himanshu Suri met years earlier, 2008 would be the year that the pair would come to the attention of the music world after their strangely catchy song, “Combination Pizza Hut and Taco Bell,” became a YouTube hit. Teamed up with their hype man, Dap (aka Ashok Kondabolu), the Brooklyn group has a style that both satirizes and reveres hip-hop, combining druggy nonsense, social commentary, and obscure pop culture references into one boldly self-aware package. In 2010, the group self-released two mixtapes, Shut Up, Dude and Sit Down, Man, with the latter being released in association with label Mad Decent and featuring a song with production by tastemaker and label head Diplo.
“Their sloppiness is a mask for detailed, affectionate hip-hop parody, name-dropping KRS-One and Asher Roth as easily as W.E.B. Du Bois and the literary critic Gayatri Chakravorty Spivak… a blend that inspires questions like this one in a recent interview in the Village Voice: “Is this a joke that everyone thinks is a graduate thesis, or vice versa?” …Das Racist’s lack of piety has become an aesthetic of its own, with songs that are as much commentary on hip hop as rigorous practice of it.” – The New York Times
“There’s precedent in the hyper-referential raps of Beastie Boys and MF Doom as well as the abstract-gone-mainstream wordplay of Dipset and Lil Wayne, but Das Racist are a singular act. Google and Wikipedia get several shoutouts, and it makes sense since everything under the sun is fair game for these guys, but they never rhyme for the sake of riddlin’. The lyrics themselves have an orderly and logical nature about them, pop culture crosswords that draw connections between completely unrelated objects. Listening to their music doesn’t require deep cultural or musical knowledge to enjoy it– it’s pretty damn enjoyable purely as pop– but you’ll get more of a charge from it the more often you decode it.” – Pitchfork (Best New Music) 8/10
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